Italian Baroque Era Painter, ca.1634-1705 Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.   Related Paintings of Luca Giordano :. | Portrait of Maria Anna of Neuburg | The Defeat of Sisera | Venus, Cupid and Mars | Repe of Deianira | Twilight on Zazar bank |
Related Artists:
VERONESE (Paolo Caliari)
Italian Mannerist Painter, ca.1528-1588
VELDE, Adriaen van de
Dutch Baroque Era Painter, 1636-1672 Dutch painter, draughtsman and etcher, son of Willem van de Velde I (see VELDE (ii), VAN DE, (1)). According to Houbraken, he first studied in Amsterdam with his father; however, unlike his father and his brother, Willem van de Velde II, Adriaen did not incline towards marine painting, so he was sent to Haarlem to complete his training with the landscape painter Jan Wijnants. By 1657 Adriaen had settled in Amsterdam, where various documents regularly record his presence until his death. During a career of less than two decades, van de Velde produced an extensive and varied body of paintings, drawings and prints.
Carl Heinrich Bloch
(May 23, 1834 C February 22, 1890) was a Danish painter. He was born in Copenhagen and studied with Wilhelm Marstrand at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) there. His early work featured rural scenes from everyday life. From 1859 to 1866, Bloch lived in Italy, and this period was important for the development of his historical style. His first great success was the exhibition of his "Prometheus Unbound" in Copenhagen in 1865. After the death of Marstrand, he finished the decoration of the ceremonial hall at the University of Copenhagen. He was then commissioned to produce 23 paintings for the Chapel at Frederiksborg Palace. These were all scenes from the life of Christ which have become very popular as illustrations. The originals, painted between 1865 and 1879, are still at Frederiksborg Palace.